'Poker face' is a good example of a phrase used in poker that has entered the common vernacular. Pretty much everybody -- whether they play or not -- knows that having a poker face means successfully hiding your emotions behind an impassive, unrevealing expression.

Then again, I wonder if the phrase itself might be hiding something.

Lady Gaga Poker Face Song Meaning

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Patrik Antonius, not showing strength. Or weakness. Or anything.

There's a popular teen drama that has been on the air throughout the 2010s called Pretty Little Liars. It's a serialized murder mystery centering upon a group of high school girls based on the bestselling series of novels by Sara Shepard. There has already been one spinoff show, and another is coming -- Pretty Little Liars: The Perfectionists -- the debut of which arrives next week.

Cosmopolitan's Emily Tannenbaum is excited about the new show. She particularly likes the opening to the first episode that has been made available as a kind of teaser to introduce the new setting where the story of another murder mystery will soon be told:

You recognize the tune, of course, the international chart-topper 'Poker Face' by Lady Gaga, here being played on a cello. 'The song itself is perfect for a series about keeping secrets that literally has liars in the title,' observes Tannenbaum. It certainly does help set an appropriately urgent mood.

But wait a minute. Is that what having a 'poker face' refers to? Being a liar? Or does it just refer to hiding something? Or keeping a secret?

Let's dig beneath the surface a bit and see what we find.

Want to get good? Get a poker face

In his 1875 book Round Games at Cards, British author Henry Jones, writing as 'Cavendish,' introduces various poker games and associated terms. Among the 'Hints' he provides as general strategy advice, Jones lists how 'the possession of a good poker face is an advantage.'

Cavendish goes on to explain what he means by the phrase, namely, that 'No one who has any pretensions to good play will betray the value of his hand by gesture, change of countenance, or any other symptom.' Looking to succeed at poker? Don't let the look on your face give anything away, since if you do 'an experienced player will judge from the expression' the value of your hand.

In other words, pretty much from the time people starting writing about poker strategy, not only was it evident from the beginning that hiding information from your opponents was valuable, there was already a shorthand way to describe doing so -- get yourself a good poker face!

Poker faces away from the tables

The phrase soon took on a kind of figurative meaning as well, entering everyday conversation to refer to all sorts of blank looks, dispassionate expressions, and deadpan responses.

During the 1920s and '30s, Helen Wills was the Serena Williams of her era, winning 19 Grand Slam singles titles including eight at Wimbledon. She played with a cool, emotionless style, seeming to ignore both her opponents and the crowd as she won match after match, tournament after tournament.

The famous sportswriter Grantland Rice (who during his career gave lots of athletes nicknames) famously described Wills as 'Little Miss Poker Face.' The nickname stuck, a clearly-earned compliment (well, aside from the 'Little Miss' part).

In his 1933 experimental play Days Without End (1934), dramatist Eugene O'Neill includes a stage direction in which he assigns to a character 'the meaninglessly affable expression which is the American business man's welcoming poker face.' Seems apt when thinking of the competitive world of business, where information can (and often does) mean money.
In 1943, the novelist Graham Greene wrote a review of Hesketh Pearson's biography of Sir Arthur Conan Doyle, author of the Sherlock Holmes stories. Greene titled his short essay 'The Poker-Face,' and in it he commends Pearson for having uncovered enough about Doyle to bring him to life to the reader -- that is, for having done some Sherlock-like detective work and successfully 'got behind that poker-face.'

By the way, Maria Konnikova performs similar feats of deduction in her book about Doyle and the Sherlock Holmes stories, Mastermind: How to Think Like Sherlock Holmes -- a great read for poker players, even if it isn't specifically about poker.

In that essay, Greene describes what a 'poker face' is in an especially poetic way.

'One has seen that face over a hundred bar counters -- the lick of hair over the broad white brow, the heavy moustache with pointed ends, the firm, good-humoured eyes, the man who is a cause of conviviality in other men but knows exactly when the fun should cease,' writes Greene. 'He is wearing a dark suit (the jacket has four buttons) and well-polished boots. Could Sherlock Holmes have deduced from this magnificently open appearance anything at all resembling the bizarre truth?'

Games of hide and seek

We could list many more examples of poker faces in politics, sports, business, warfare -- you name it. You get the idea. Having a poker face means being unreadable. There might be some 'bizarre truth' lurking beneath that 'open appearance,' but it's hard to say for sure, and only the most discerning, perhaps someone with Holmesian-level powers of observation, might be able to figure out what, if anything, is being hidden.

By the time the great photographer Ulvis Alberts titled his well regarded (and much coveted) collection of photographs Poker Face (first published in 1981, with Poker Face 2 following in 2006), his title enjoyed both literal and symbolic meaning, suggesting the photos of the players pictured within held secrets worth studying.

So, too, did anthropologist David Hayano deliberately choose the title for his 1982 study of California poker players -- Poker Faces. Such a choice indicated Hayano believed there was something worth investigating in the seemingly inscrutable expressions of players sitting around the poker tables in the California clubs -- something more than meets the eye (to employ another cliché).

Aaron Brown's The Poker Face of Wall Street (2007) describes affinities between the card game and modern finance, showing many parallels between the strategies employed in both realms. There's also another clever connotation, though, indicating how Brown intends to reveal something hidden about how Wall Street works.

'The Patrick Antonius Way'

Dan Harrington and Bill Robertie provided for their readers a kind of extreme example of a solid 'poker face' in Volume II of Harrington on Cash Games (2008), delivered amid a discussion of tells and how to avoid giving them off at the table. One method they recommend is what they call 'The Patrik Antonius Way' -- that is, the approach taken by the Finnish pro.
'Antonius' defense against tells is classically simple,' the authors write. 'After he makes an important bet, he just sits at the table, stiff as a board, and stares silently at a fixed point in space.'

His poker face, they judge, 'gives a good impression of a catatonic trance,' and after his opponent finally acts, he 'reenters his body and rejoins the living.'

Conclusion

When I hear the phrase 'poker face,' that's the image I usually think of first -- a stony-faced poker player whose expression is entirely neutral, not communicating anything. The kind of thing Mike McDermott is trying to pull off in Rounders when Johnny Chan asks him if he had it, and Mike says 'I'm sorry John, I don't remember.'

That is to say, I don't necessarily make the association between having a poker face and lying that the Cosmo writer makes, although it's interesting to think how non-poker players might have that instinct. If that is the case, that might suggest something meaningful about how the 'mainstream' views poker -- as a game that involves telling lies.

Now that I think about, I guess Mike McDermott was lying to Chan. I suppose that's what Lady Gaga is getting at, too, when boasting about others being unable to read her poker face. 'I promise this, promise this,' she sings, implying that with her expression she has intentionally tried to mislead.

After all, obscuring the truth, however it is done, can be called a lie of omission.

That's how I read it, anyway.

Ever since Stefani Joanne Angelina Germanotta, better known as Lady Gaga, first hit the entertainment scene, she's been known for her outfits almost as much as her chart-topping music. The singer-actress' public appearances have always kept people guessing about what fashion boundary she would push next with unique styles that have often bordered on performance art.

Lady Gaga has never been afraid to take risks or cause a stir with her appearance, be this her hair, makeup, clothing, wild manicures, or even gravity-defying shoes. Modeled after Andy Warhol's creative hive The Factory, the Haus of Gaga is the musician's corresponding hub, where philosophers, artists, and designers not only come up with Gaga's fashion statements, but also the levels of meaning behind each one as they pertain to art history, pop culture, and social justice messaging.

More often than not, Lady Gaga's latest looks will first appear in one of her music videos, before she takes it for a walk on a real-life street — another detail that's set her iconic style apart from others. So, let's put on our poker faces and explore the changing looks of Lady Gaga over the years.

Lady Gaga's burlesque beginnings

Lady Gaga is a classically-trained pianist, who decided to incorporate the instrument in her early performances as an exotic dancer in New York City's go-go dancing and burlesque scene. Wearing her hair long and natural brown, Gaga's outfits typically consisted of hot pants, a bedazzled bra, thigh-high pantyhose or fishnets, and stilettos. Alongside her pal, Lady Starlight, the duo performed a 'heavy metal and disco strip act' in those days, according to The Telegraph, which featured Gaga's original songs, as well as covers of Black Sabbath and more. 'It represented freedom to me,' Gaga told the publication in an in-depth 2010 interview, adding, 'It was on the New York underground that I found myself.'

This look followed both Gaga and Starlight to a small stage performance at Lollapalooza in 2007, where Gaga's costume changes included taking off and putting on various jeweled adornments over her skimpy bra and black underwear. In 2012, Gaga released rare pictures of herself and Lady Starlight from their burlesque days that show her in this 'retro sexual' look that was once described by BMI as the 'lovechild of David Bowie and Jerry Lee Lewis.'

The poker face that rocked the world

The release of Lady Gaga's first studio album, The Fame, in 2008 marked a major shift in how she presented herself. Gone was the long brunette hair of her burlesque days, and in were blonde wigs so platinum they were almost white. This would continue to be Gaga's signature hair for this era.

The first music video from The Fame was 'Just Dance,' in which she debuts not just the new blonde hair, but also a David Bowie/Ziggy Stardust-inspired blue lightning bolt painted over one eye. Over her skimpy outfits, the pop star wears '80s-style, shoulder-padded jackets, as well as a plethora of wild sunglasses so large they nearly cover her entire face.

But it was the music video for 'Poker Face' that established Gaga's new role as fashion icon. A deconstructed disco ball adorns her face, while asymmetrical body suits in latex and leather define her look both in her videos and public appearances. By the time her first short film — the 'Paparazzi' music video — was released in 2009, this newly-sculpted, blonde bombshell look with a rock and roll edge was immediately associated with Lady Gaga.

Mother Monster showed us her teeth

When the fame hit Lady Gaga, it arrived fast, catapulting the singer-songwriter into the stardom for which she always felt she was destined. Her wild stylings during The Fame era had created a similarly-inspired fan base, who weren't just copying Gaga's fashion, they were building on it and helping her develop it. Because many of these fans felt marginalized in their own lives, they turned to Gaga's unflinching and fearless self-expression for their own. This phenomenon quickly inspired the far edgier looks that came with The Fame Monster, an album that played on notions of outsider status and, well, monstrousness.

In the 'Bad Romance' music video, Gaga introduces her claw nails and sharper make-up, which gives her face a more angular appearance. While her live performance outfits drew from her original burlesque roots, it's the 'Alejandro' video that echoes back to Gaga's history of wearing a spangled bra, panties, and tights with high heels.

Thanks to the lyrics of the songs 'Monster' and 'Teeth,' the pop star began referring to herself as Mother Monster and her most dedicated fans as Little Monsters. Her evolving fashion would follow in (sometimes grotesque) suit.

Lady Gaga: 'I'm not a piece of meat'

Lady Gaga Poker Face Meaning

Lady Gaga was always on the trajectory to be an ultra-famous star, but as the realities of fame — and the pressures of being a role model to many marginalized listeners — began to seep into her daily life, her fashion sense became more aggressive. She infamously performed a blood-soaked mashup of 'Poker Face' and 'Paparazzi' during the 2010 MTV Video Music Awards, and accepted her video of the year Moonman for 'Bad Romance' in an actual meat dress. The asymmetrical outfit, styled by longtime collaborator Nicola Formichetti and created from flank steaks from designer Ferdinand Franc's own family butcher, was sewn onto Gaga backstage.

Gaga later discussed the meaning of the dress on The Ellen DeGeneres Show, saying (via MTV News): 'If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones. And I am not a piece of meat.' Since the dress caused a huge controversy among vegans and vegetarians, Gaga explained that it was a critique of the military's anti-LGBTQ+ 'Don't Ask, Don't Tell' policy.

Baby, you were born this way

Next came what some consider to be the pinnacle of Mother Monster's outsider look with the release of 2011's Born This Way. As Lady Gaga and her Little Monsters embraced her narrative that monsters — that is, people who are different — are beautiful in their own way, the pop star's outfits blazed the trails and became her edgiest yet ... quite literally.

The short film corresponding to the album's title song, 'Born This Way,' features Gaga embodying several different humanoid creatures. She has facial prosthetics that make her cheekbones blade sharp and give her a more prominent forehead, as well as shoulder prosthetics that give her an alien look. The intensity of her nail claws are heightened and extended here, and, off camera, she was prone to wearing heel-less platform shoes that seemed to defy gravity. Gaga even appeared at the 2011 Grammy Awards in a huge plastic egg, only to hatch on stage later. The performance completed the narrative that Gaga and her Little Monsters are distinctly not from 'here.' Rather, they are otherworldly creatures who don't just look different: they are different.

The video and song certainly resonated with people — even Elton John, who termed the tune as 'the new gay anthem.' He clarified to Entertainment Weekly, 'Actually, it's not a gay anthem — it can apply to anybody.'

Lady Gaga channeled her masculine side

Lady Gaga's meat dress might've been one of the most iconic looks of her Fame Monster era, but for the Born This Way years, it was the appearance of the singer-songwriter's drag king alter-ego, Jo Calderone. Calderone first appears as one of Gaga's love interests in the 'Yoü and I' music video. He has short black hair slicked in a '50s greaser style, culminating in a curl on his forehead, and wears a white t-shirt with the sleeves rolled up and baggy blue jeans.

In lieu of the Mother Monster as herself, Calderon appeared in person at the 2011 MTV Movie Awards, wearing his signature white t-shirt, but paired with a black suit jacket and trousers. Calderon accepted the award for best female video for 'Born This Way' on Gaga's behalf, never once breaking character during his acceptance speech, his performance, and his interviews. Calderone even went on to do a full photo shoot for Vogue Japan Hommes.

Lady Gaga Poker Face Meaning

Jo Calderone was just one in a long line of examples that Gaga's far more than just a pop star — she's a performance artist who's unafraid to shatter boundaries and labels.

Lady Gaga toned down her look

Just two shows away from ending her Born This Way tour, Lady Gaga was forced to cancel after breaking her hip. This accident, coupled with her fibromyalgia diagnosis, meant that she was going to have to take a break from the full-on kinetic performance experience that Little Monsters had come to expect. This hiatus also marked a new look that began to strip Gaga down, sometimes literally, from the Mother Monsters looks that defined her until late 2013.

She still often sported her signature long blonde wig — in particular on the ARTPOP album cover — but Gaga was slowly beginning to simplify her outfits, as well as rock a more bare-faced look that highlighted her unique bone structure and striking nose. While paying tribute to both her shifting looks and the new iteration of herself as a stylish clown with a smeared-painted face in ARTPOP's 'Applause' music video, Gaga's appearance for this third album era is at its peak in her short film video for 'G.U.Y.' Using clean lines in her clothing, Gaga's makeup is often classically, rather than exotically, applied.

From Mother Monster to jazz diva

As Lady Gaga adjusted to her physical limitations after breaking her hip and fibromyalgia diagnosis, she collaborated with music legend Tony Bennett on Cheek to Cheek, an album of classic duets they eventually took on the road. While every once in a while Gaga appeared in a sheer outfit and pasties over her visible breasts in a nod to her burlesque beginnings, her Cheek to Cheek era look embodied a classic old-school jazz diva vibe. Sequined caps and sparkling full-length dresses with plunging necklines became her signature costuming both on stage with Bennett and in her solo public appearances.

These stylings included visual tributes to other female crooners, like Barbra Streisand and Judy Garland, while bringing a small taste of Gaga's unique over-the-top wigs and other headwear. Gone were the booty shorts, sequined bras, and edgy prosthetics, and in were the vintage turbans, ball gowns, and swanky cocktail dresses that would feel right at home in a Marilyn Monroe movie. Explaining her about-face fashion turn, Gaga reportedly said around the time the album dropped (via U Discover Music), 'It's me rebelling against my own pop music.'

Lady Gaga shattered the final monster illusions

After her year of channeling the jazz divas of times past alongside Tony Bennett, Lady Gaga returned with arguably her most surprising look to date with the release of 2016's Joanne. Sporting cut-off jean shorts and a sports jersey, Gaga's first music video from Joanne, 'Perfect Illusion,' features zero frills as she dances in the desert accompanied by a driving electro-pop beat. She also introduces the pink cowgirl hat that would become the signature look of this Gaga era, which focused more on reaching a more mainstream middle American audience rather than the marginalized Little Monsters who originally made up much of her fan base. Variations on the cowgirl hat popped up during her subsequent Joanne tour, some in pastel pink, others bejeweled, and typically paired with cowboy boots of various colors and lots of fringe.

Having mostly discarded the outrageous fashions that made her a household name, Lady Gaga was invited to perform the halftime show for Superbowl LI in 2017, where her look paid mild, glittering homage to her entire catalog — even though it was far more modest than the Gaga of the previous decade would have ever been.

An old Hollywood style reigned as a new movie star was born

In 2018, Lady Gaga made her proper Hollywood debut as the young ingenue Ally Maine in Bradley Cooper's remake of the classic musical drama A Star Is Born. In many ways, Ally's appearance in the film is an even more stripped down version of Gaga's Joanne-era look, as the character initially wears nothing but a small hint of foundation on her face, complete with a wardrobe consisting mainly of t-shirts, jeans, and a cowboy hat.

Off screen, however, the pop star-turned-actress brought old Hollywood glamour back with a vengeance throughout the press tour for A Star Is Born. The key words for this particular look were vintage-inspired ballgowns in satin and with sequins and yards of tulle. Gaga's makeup channeled Elizabeth Taylor's iconic cat eyeliner, as well as shimmering lip glosses in classic pinks and reds that were dramatic in a completely different way than her original 'Poker Face' and 'Bad Romance' looks.

Of course, Gaga can pull off old Hollywood style, right? That's because she can work any look. 'I think Gaga is a totally chameleon,' the star's official make-up artist, Sarah Tanno, revealed to Vogue. 'Everything and anything could suit her.'

Lady Gaga's growing tattoo collection

Lady Gaga Poker Face Lyrics Meaning

When Lady Gaga got her first tattoo at just 17 years old, her father was furious and made her promise to only get tattoos on her left side, so she would still be 'slightly normal' on one side, per Rolling Stone. This tattoo — a treble clef on her lower back — was later covered up with a flowery rose and vine after the original upset her parents. In 2009, she got a quote from Rainer Maria Rilke'sLetters to a Young Poet on the inside of her left arm. However, breaking her promise, Gaga later got her first tattoo on her right side, a trumpet drawn by Tony Bennett, just before they released Cheek To Cheek.

Adding to her collection are tributes to her Little Monsters: two words underneath her Rilke tattoo feature the lettering 'Mother Monster,' plus a monster claw on her left rib cage. In addition to a heart on her shoulder in tribute to her dad and the date '12/18/74' in remembrance of her deceased Aunt Joanne, Gaga has David Bowie's face tattooed on her rib cage, as well as a tribute tattoo for every project she's worked on.

Lady Gaga's Las Vegas residency was a collection of career looks

In December 2019, Lady Gaga began a two-part residency in Las Vegas called Enigma, marking the culmination of not just her musical career to date, but also a tribute to virtually every single look she's sported since The Fame.

Lady Gaga Poker Face Lyrics And Meaning

Her pop show has since been lauded for many aspects of its production, but Billboard made a point of mentioning the Mother Monster's various looks, specifically noting, 'With her longtime fashion collaborator Nicola Formichetti and her sister Natali Germanotta joining forces, the duo spawned a number of creative looks — ranging from florescent and leather to a body suit with flashing LED lights and a nude-colored unitard — for Gaga, the dancers and her band that would have made David Bowie proud.'

Gaga considers Bowie to be the kind of artist who 'changes you forever,' she told NPR, so it's no wonder she would want to pay homage to the late musician in this way. From the Bowie-inspired lightning bolt of The Fame era and the leather and lace from Born This Way to her performance of the Oscar-winning tune 'Shallow' as her A Star Is Born character Ally Maine, Gaga's costume changes during Enigma also spoke to her own myriad contributions — not just to pop culture, but also to fashion as a whole.

'Stupid Love' took Lady Gaga back to her pop roots

Lady Gaga's arc as singer, songwriter, dancer, and performance artist has been huge, and her fans were wondering what she would do after she'd basically done it all. The answer was she'd return to her pure pop roots with her song 'Stupid Love.' In the music video for the single off her album Chromatica, Lady Gaga personifies bubble-gum pop music with all-pink ensembles that call back to her Fame Monster and Born This Way looks, featuring extraterrestrial and outer space imagery as well as the tiny spandex outfits that once defined her look.

Gaga's pink ponytail and sparkling facial adornments seen in her 'Stupid Love' music video are reminiscent of her earlier days, and she looked to be having a blast when filming as she pranced around the desert, showing off the bright and quirky fashion elements we once expected from her on the regular. But unlike before, Lady Gaga sports a pair of comfy-looking metallic magenta boots in the video instead of gravity-defying high heels. The irony is now that she's charting a new interstellar pop narrative, her feet are firmly on the ground.